At Flak Magazine, Aemilia Scott reflects on her role as a photo double for Sandra Bullock.
That woman in the trailer surely has to deal with the ramifications of her on-camera persona — that she will eventually change with age, as humans are wont to do, and that the public will become enraged that Sandra Bullock is fading away. But for now she can use this postmodern paradox to her advantage. She can revel in the portable nature of Sandra Bullock. That's where I come in.
(Scott identifies the structure as a ray, although it seems more in line with Foucault's author-function or Hall's ongoing articulation.)
Posted by johndan at May 21, 2005 05:10 PM | TrackBack